Events

Helen has lectured on photography for organisations including Sotheby’s Institute of Art, Regent’s University and  Central St Martin’s, and delivered workshops on 19th and 20th Century Studio Practice, Documentary Portraiture, and Histories of Collecting.

Selected Talks and Events:

8 February 2018: Women, Work and Commerce in the Creative Industries, Britain 1750-1950

This symposium adds to the growing body of feminist scholarship that is deconstructing the male-dominated history of commercial and industrial artistic production. The programme will bring together current interdisciplinary perspectives on women’s experiences of work and the gendered dynamics of commerce in the creative industries in Britain between 1750 and 1950. Helen will be presenting on the role of photography in the East London Federation of Suffragette’s Woman’s Dreadnought newspaper.

24 January 2018: East End Suffragettes: the photography of Norah Smyth:

This roundtable discussion will look at Norah Smyth’s photographs and their use in the East London Federation of Suffragettes’ Woman’s Dreadnought newspaper, and discuss suffragette portraiture more widely. Presentations by curator Helen Trompeteler, George Mind and Carla Mitchell of Four Corners.

6 October 2018: ‘Curating Photography’, a talk for the Brighton Photo Fringe:

Helen was a speaker contributing to the 2018 Brighton Photo Fringe Curators Training programme which provides three early-career curators with opportunities to develop their professional skills and experience. 2018’s trainee curators were Idil Bozkurt, Kate Kelsall and Clare Patrick.

28 March 2017: ‘Women’s photography in the 70s and 80s’: 

Maggie Murray, Gina GloverJenny Matthews and Joanne O’Brien  discussed the work and experience of women photographers in the 1970s and 80s.  This event was part of Four Corners Archive project.  Chaired by Helen Trompeteler

19 January 2017: ‘The Radical Eye’: London Art Fair VIP tour in association with Tate Modern:

Helen Trompeteler led a unique tour of ‘The Radical Eye: Modernist Photography from the Sir Elton John Collection’, discussing highlights of the exhibition in terms of both public and private acquisition.

18 January 2017: Collecting Contemporary Photography: London Art Fair in association with The Photographers’ Gallery:

Brett Rogers OBE, Director of The Photographers’ Gallery chaired a discussion exploring current trends in the photography world and how to grow your contemporary collection. Panel members included Helen Trompeteler, Christiane Monarchi (Founding Editor, Photomonitor), Hannah Watson (Director of Trolley Books and TJ Boulting) and Nicholas Campbell (Founder of Narcissus Arts).

7 October 2016: ‘Curating for and outside of museums’, a talk for the Brighton Photo Fringe:

Helen was a speaker contributing to the 2016 Brighton Photo Fringe Curators Training programme which provided three early-career curators with opportunities to develop their professional skills and experience. 2016’s trainee curators were Sarah French, Jamila Prowse and Ruby Rees-Sheridan. Find out about their exhibition ‘King’s House: In Transition’ here.

16 August 2015: Behind the Screen: Audrey Hepburn – The girl that launched the gamine style

In this special event, Helen discussed the evolution of Hepburn’s style throughout the 1950s and 1960s; examining defining film roles and key collaborations with leading photographers and fashion designers. This talk was held in advance of a screening of Roman Holiday as part of Film4’s Summer Screen at Somerset House, London.

9 July 2015: Audrey Hepburn: Becoming a Modern Icon

In the inaugural lecture for the Audrey Hepburn: Portraits of an Icon events season, Helen discussed the development of Audrey Hepburn’s era-defining image. By exploring pivotal collaborations with many of the most significant photographers of the twentieth century, Helen considered how Hepburn both responded to and challenged the gender expectations of her time. Listen to the lecture on Soundcloud.

Image credit: Contact sheet of Mary Ure by Michael Peto (far left), © The Peto Collection  / Dundee University Archive Services